Saul Leiter, perhaps the most famous non-famous New York street photographer, has just passed away at age 89. A pioneer who worked mostly in color in an age when street photography was still a predominantly black and white medium, Leiter captured the ineffable details than can only be seen and appreciated if you slow down and pay attention. Notes the obituary in today’s New York Times:
Mr. Leiter was considered a member of the New York School of photographers — the circle that included Weegee and Arbus and Avedon — and yet he was not quite of it. He was largely self-taught, and his work resembles no one else’s: tender, contemplative, quasi-abstract and intensely concerned with color and geometry, it seems as much as anything to be about the essential condition of perceiving the world.
“Seeing is a neglected enterprise,” Mr. Leiter often said.
Where other New York photographers of the period were apt to document the city’s elements discretely — streets, people, buildings — Mr. Leiter captured the almost indefinable spaces where all three intersect, many of them within a two-block radius of the East Village apartment in which he had lived since the early 1950s.
… Unplanned and unstaged, Mr. Leiter’s photographs are slices fleetingly glimpsed by a walker in the city. People are often in soft focus, shown only in part or absent altogether, though their presence is keenly implied. Sensitive to the city’s found geometry, he shot by design around the edges of things: vistas are often seen through rain, snow or misted windows.
“A window covered with raindrops interests me more than a photograph of a famous person,” Mr. Leiter says in the recently-released feature-length documentary, In No Great Hurry: 13 Lessons in Life With Saul Leiter, by the British filmmaker Tomas Leach. Here is the trailer for the film:
The New York Times continues: [Read more…] about Everyday mysteries: Saul Leiter, a master of lyrical color street photography